More (super)power to You

Graphic by Cecilia Romero


Why ‘Birds of Prey’ revolutionizes the female superhero

“Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)” received an audience and critic rating of almost 80% on Rotten Tomatoes and was deemed “the funniest comic book film since the first ‘Deadpool’ from 2016” by New York Post film critic Johnny Oleksinski. The new film was well received by critics despite being the lowest grossing film within its franchise on opening weekend. With a mostly female cast — led by Margot Robbie as protagonist Harley Quinn — audiences witness how the women find strength among themselves. On the surface, this film has themes of feminine empowerment and the courage to overcome the oppression of the masculine counterpart. Even so, is “Birds of Prey” a genuine chick-flick to watch with the girls, or is it an exploitation of the female body in order to please the male audience?

To truly grasp what’s going on in “Birds of Prey,” let’s look into previous superhero movies. While there are numerous films adapted from DC and Marvel comics, only a couple of them center themselves around female heroes. The films that most likely sound familiar are “Catwoman” and “Elektra,” and neither of them did well in the critical sense. In those movies, the female characters are put into tight outfits that emphasize the female figure. The women cast into these roles typically have an hourglass shape, as opposed to a “pear” or “apple” body type. This extreme emphasis of female attributes, though appealing to the male audience, could not outweigh the awful special effects or story writing. Film critic Scott Mendelson went so far as to say that these types of films are what killed off the notion of a female led superhero movie for just over a decade.

Next came the current superhero franchises many are invested in today, known as the DC Extended Universe and the Marvel Cinematic Universe. Those started up with the releases of “Man of Steel” and “Iron Man,” respectively. In these new series, movies released with a plot centered around a female character include “Wonder Woman,” “Captain Marvel” and “Birds of Prey,” all of which received generally high praise amongst critics. In terms of apparent sexualization of these women, the eye is still drawn to the chest due to costume design — the star on Captain Marvel’s outfit, the “W” on Wonder Woman’s outfit — but they’re toned down more than previous designs and cover more skin. In order to get a sense of how current female superhero films work, let’s take a look at the recently hatched “Birds of Prey.”

On the surface, the film’s storyline is about female empowerment. Harley and her friends were wronged by men, and they team up to fight the bad men in the film. It’s a great way to appeal to the female audience, but does the film actually have an active presence of women? This can be indicated by the Bechdel test, which — in order for a film to “pass” — must feature at least two women who talk to each other about something other than a man. “Birds of Prey” does in fact feature more than two women who talk to each other. It’s the third part of the requirement that causes the film to barely pass the Bechdel test. The women talk about men for a good amount of the film, though it’s mostly because the people they fight are all men. However, it doesn’t prevent them from sporting dramatic and exciting outfits and showing off their fighting skills. With that, the film is able to provide the female audience a set of dynamic characters to watch.

While this film gives the female superhero fanatics something to watch, this film also needs to appeal to its male audience. It does so by providing the two main elements most men gravitate toward: violence and a sexy body. By doing this, the movie feeds into the feminist theory of the “male gaze.” This is just a simple way of saying the film depicts women as sexual objects for the pleasure of the male audience. That might explain the naked women on the walls of Roman’s office, as well as a couple of costume gags Harley pulls in the final fight scene.

Even so, this film doesn’t necessarily feed into the male gaze for the entire runtime. In addition to playing the lead role, Margot Robbie both pitched and produced this film. There’s a clear difference in Harley’s character from “Suicide Squad” to “Birds of Prey.” There’s her dependency on the Joker, which changed once they broke up and gave her a freedom she never thought she wanted. There’s also her infamous “Suicide Squad” outfit. Her “Daddy’s Little Monster” shirt with 20 or so holes, along with her shorts that barely even counted as shorts, both of which Robbie was uncomfortable with. Transitioning into her life of independence, Harley begins with a crop and actual shorts. At the end of “Birds of Prey,” she’s wearing a tank top with overall-type pants. By putting two and two together, there’s a clear correlation between her outfits and how far she’s ventured into her newfound independence.

In essence, “Birds of Prey” is a story of female empowerment that follows the protagonist in her transition from Joker’s girl to “Harley freaking Quinn,” as she says in the trailers. It’s a huge step from previous female led superhero films. The DCEU and MCU are undergoing a transition from sexualized superheroes to ones that have a clear character arc. If audiences can support the transition of these franchises, one where there will be more heroines, we would eventually see an equal amount of super-men and super-ladies. This could essentially lead into a more inclusive universe, where virtually anyone could be a superhero.


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